Music Editing for Dance, Skating & Gymnastics

Yes. Give us the exact time your division requires and the tolerance either side if there is one, and we edit to it. Check the number against your current rulebook before you send it — limits change by level, division and season, and a re-cut close to a competition is avoidable.

Yes. Songs at different tempos and in different keys will not blend by crossfading — they have to be time-aligned and pitch-reconciled so they share a tempo and a compatible key through the transition. Done properly, a multi-song routine sounds like one arrangement rather than a playlist.

Yes. Muting the word is what makes most clean versions obvious, because it removes part of the melody and breaks the rhythm of the line. We use an official clean release, the instrumental underneath, or a rebuilt phrase so the vocal keeps its shape. Tell us how strict your division is about content.

Usually, yes. Send the original full-length track along with the edit that is not working. Most problems are fixed by rebuilding the transitions from the source material rather than patching the existing edit — repairing a cut is often harder than making a clean one.

A high-bitrate MP3 is accepted at almost every competition and is what most explicitly request. Check your rulebook for a required format, a file naming convention and the upload deadline, and bring a backup on a second device regardless of what you submit in advance.

Every edit purchased receives a minimum of 2 revisions per song dependent on which edit package has been chosen. Revisions can be made and requested once the initial completed file is sent back to you. You have up to 48 hours to request any and all revisions. No changes requested within 48 hours of the file being sent will be considered complete.